Hello everyone!
2015 was a great year for period drama, and Far From The Madding Crowd has become an all time favourite of mine...
Bathsheba Everdene (Carey Mulligan)
is a strong-willed, passionate, but rather naïve young woman who inherits a
farm estate and attracts the attention of three men: sheep farmer Gabriel Oak
(Matthias Schoenaerts), military officer Frank Troy (Tom Sturridge) and the rich
William Boldwood (Michael Sheen). Far
From the Madding Crowd takes us on the personal learning experience of this
modern-like heroine who thinks herself too independent to marry. The darker
edge to the story - Thomas Hardy’s novel has often been described as a ‘rural
tragedy’ - ensures the film transcends more traditional period dramas like Pride and Prejudice.
Director Thomas Vinterberg
established himself as an innovative storyteller with Jagten (2012), a drama about a teacher wrongly accused of child
abuse, and proves his skills afresh. cinematographer Charlotte
Bruus Christensen achieves in this picture, both
in interior and landscape scenery, luscious and alluring imagery. Powerful
visual motives throughout the film, like Bathsheba appearing out of the dark,
make Christensen’s work even more impressive. The well-known swordplay scene is
even more remarkably shot than in John Schlesinger’s adaptation of 1967 as it accomplishes
to mesmerize the viewer and in this way conveys perfectly how Batsheba is
enticed by the dashing Troy. Noteworthy is the imposing screen presence of
Troy’s red military jacket which I think serves perfectly as a symbol for his seductive
qualities and as a blatant warning for his dangerous character. Costume designer Janet
Patterson deserves every praise for her superb costume design proving why she
deserved the Oscar nomination for her work on Bright Star (2009). Be sure to check out this interesting blogpost on the costume design.
Adding to this Craig Armstrong’s wonderful
score and you get an overall vivid viewing experience.
Carey Mulligan manages to bring fragility to the independent
Bathsheba with her pixie-like and energetic appearance. While the viewer might question some of Bathsheba’s decisions,
Mulligan makes sure she remains sympathetic as we take part in her personal
growing experience. To me, Michael Sheen is the only actor to rival her performance as
the neighbouring tenant who develops a consuming crush on Batsheba. He brings a
complexity to a character that could have been very one-dimensional. Sometimes
both frightening and endearing, Sheen even managed to make me shift on my chair
with uneasiness. Schoenaerts is charming as Gabriel (and really quite gorgeous in his costumes) but is quite lacking
compared to Mulligan and Sheen. Sturridge makes for a solid acting job,
but I think he lacks the screen time to truly make his performance last.
I believe Far From the Madding Crowd makes for the most
compelling and refined period drama of the past year.
Source: Variety A Fashion History
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